Q&A
Q&A
"I had never seen music as working but now I was working," says indie pop singer Nilüfer Yanya about writing an album while promoting and performing.
Art
"When she was young, she was very creative," says Kerisse Hutchinson, talking about Lisa "Left Eye" Lopes. "She just kept expanding her artistry."
Q&A
"If you’re lucky as a musician, you’re able to continually find new things that are inspiring," says moe.'s Chuck Garvey. "Otherwise, you’re just doing the same thing. It’s like a bad desk job."
Q&A
"We realized no one wants to hear your story," says Brooks Nielsen of the Growlers. "Nobody cares. That’s how the business works. You know you’re successful if you’re getting sued.
Q&A
Belle and Sebastian's Sarah Martin says the screenplay for the film adaptation of DAYS OF the BAGNOLD SUMMER was so readable, "it made you think that we could write the [soundtrack] songs without seeing anything that was ever s...
Q&A
"It feels like a line has been drawn in the sand, and you have to stand on one side or the other," says Eilen Jewell, talking about political themes that sometimes make their way into her music. "Even if you stand on the line, ...
Q&A
"Tolerance is important and it’s really at risk these days," says musician and activist Eljuri.
Q&A
"I just need to let myself sail before I find those things that do work," says singer Erika Wennerstrom talking about her process.
Q&A
"I should be bitter at this point, but I’m not," says Juliana Hatfield about her latest album. "The music is a pure expression of my undying faith in something."
Q&A
"The sound of this open, airy room had an influence on what we wanted to do," says Tokyo Police Club guitarist Josh Hook, talking about recording TPC.