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"We wanted to combine new and old school so that it feels like it's from the future, but it's always been around."
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Over two decades, Sharon Jones & The Dap-Kings built a reputation as studio aces, and this album compiles some of their most popular, as well as completely unreleased, renditions.
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I wanted this cover version to sound more like a dark closet talk between two friends...hanging onto each other for dear life whispering, ‘We're gonna make it out of here.’
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"Sometimes a work of art comes unintentionally from a place from deep within the soul."
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“I just wanted to write one of those classic, simple, desperate love songs that sound great in your car.”
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To me it feels quite celebratory and mournful simultaneously, a quality that seems difficult to pin down; this dichotomy is something I’m always hopeful of achieving."
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“Public Enemy songs are forever sonic prints in the sands of time. And it’s time — it’s necessary — to bring the noise again."
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“This song has always been special to me, but I wasn’t expecting the response it’s gotten."
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"It was all so new to us. Pylon made us want to be better," says R.E.M. bassist Mike Mills.